For managers and agents

One artist or twelve,
the process doesn’t change.

Stand-up only. Editing only. The same standard across your roster.

what you’re actually signing off on

Scope: We edit. We don’t film. Footage in, finished verticals out. We can post to an artist’s channels if you want that handled, but it’s an add-on and never the default.
Rates: Style Lock is $199 for 3 clips, once, per artist. That’s where every comedian starts. Monthly packages after that, scoped to how often they post. Roster work we quote case by case, deliberately. Three artists who each release a special a year and one who films every set are not the same job, and a flat roster rate would be wrong for one of you.
AI: Not for editorial decisions. Captions are machine-transcribed and human-corrected. If a client needs that stated formally, we’ll state it formally.
Revisions: Feedback goes on the clip at the timestamp, in one place, in Frame.io, not in an email thread. Style Lock is unlimited revisions until it’s right. Ongoing work is 2 per clip, which is usually all it takes once the style is set.
Approvals: Nothing publishes from our end unless you’ve asked us to. You get the files. You decide.

built to sit behind a roster

You shouldn’t have to explain your roster twice.

A Drive folder per artist, or one for the roster, whichever you already run. Same intake every time, same turnaround, same person answering your email. Once a comedian’s style is set, it stays set, and the next batch doesn’t start from zero.

Start us on one. Usually whoever’s sitting on the most unused footage. Extend it when it’s boring and predictable.

what we don’t do

We don’t approach your artists directly once you’re the point of contact.
We don’t use anyone’s name or work in our own marketing if they’d rather we didn’t.
We don’t take on anything outside stand-up, which means we’re not building general capacity we then need to keep busy.

if this one’s covered

Plenty of the managers we speak to already have someone on a particular artist. We work alongside them.

Most of our agency work starts as overflow. A special that needs turning around faster than the usual person can manage, or a run of festival footage nobody’s had time to touch.

Extra capacity on top of whatever you already run. What happens after that is up to you.

Send one artist’s footage.

We’ll come back with 3 clips and a rate for the rest.

send one artist

or see the rates first · no contracts to start

see package options book a call